coloured vinnyl

repress on solid blue vinyl in gatefold sleeve. originally released in 2022.

standard weight, red & yellow vinyl, triple gatefold jacket. includes 12-page, 12 x 12 booklet with lyrics and additional artwork.

bukez finezt is back on medi!

tm shuffles very own label with his next head shackin release. amazing groovin dub techno 4 tracker by artists like star_dub, altone, poro, tm shuffle & monoder. colored version is limited. be fast to get your hand on it.

modern breaks and speed garage

melodic and dancefloor-friendly electro tracks

di.capa is back on his own imprint soria with the original track sorrow followed by remixes of the italy’s finest deep hypnotic techno artists like luigi tozzi, feral and antonio ruscito.

techniques berlin wurde 1984 von den schulfreunden andreas gregor und david rout gegründet und begann mit synthesizern, drumcomputern und gitarren zu experimentieren. in der anfangsphase war die band stark von den britischen new-romantic-bands the human league, visage, yazoo, omd und depeche mode sowie den aufstrebenden kanadischen synth-pop-bands rational youth, men without hats und trans-x beeinflusst. es dauerte ein paar jahre, bis sie ihre elektronischen spielzeuge beherrschten und eine einzigartige mischung aus süchtig machenden elektropop-melodien und wunderschön ausgearbeiteten alternativen beats kreierten.

debut lp

david löhlein teams up with rove ranger for the next vision ekstase release.

black version. tm shuffles very own label with his next head shackin release. amazing groovin dub techno 4 tracker by artists like star_dub, altone, poro, tm shuffle & monoder.

decks tip!

geminii family is grooving and is very happy to welcome new international members like ohm hourani, luc ringeisen & geminii ltd.

sacred record is a 9-track album of ethereal and introspective tracks, filled with almost pop-like hooks balanced out with all-in rhythms, heavenly pads & melodies.

3rd album

lp, pressed on 180g heavyweight vinyl

limited colour opaque white

robotron follows up his first ep on future offline together with his buddy autre. both released previously on labels like the l.a. based esp institute or xdb s metrolux.

to infinity and beyond. ufo95, alias killian vaissade is a french artist and electronic music producer. in search of unknown sounds, ufo95 travels through different worlds and different eras. he finds his inspiration in the psychedelic rock from the 60s and 70s, and in the techno scene from the 90s or even the idm scene, such as aphex twin... he also draws from the jungle and experimental scenes to propel a hypnotic, alienating and decidedly unique sound. very early on, music was his calling. mainly because he lived with his family above his parents’s nightclub. killian learned to play several instruments, he will also tryout rock bands in high school. as he turned 18, he chose to move towards music through sound engineering. first contact: he was then abducted by electronic music and, selftaught, he launched other artistic projects. he started playing under other aliases, and first live performed with rgs collective. recently, he landed in the reunion island in order to set up a family start-up, which works to reclaim environmental waste. recently back in france, he confined himself out into the countryside during the spring of 2020 and fired up ufo95, an unidentified fabulous object of music. he also released his first lp >popularity is overrated< on mama told ya label, in a cosmic collaboration with anetha. ufo95 is a good guy. be like ufo95. explore. enjoy.the b-side starts with syndrome. its earth-shattering kick and hypnotic atmospheres drag the listening into a weird, occult journey. ideal for the late-night darkrooms, metaphorically and figuratively. takaaki itoh, the japanese techno sensation and founder of the acclaimed wols label, follows up with his own rendition of the track. the remix from this remarkable legend within the scene is both eerie and engaging from the get-go. its driven by a thumping kick, playful hi-hats, and modular bells – a combination that combines the whole release and makes it such an essential for djs who are daring enough to take their set toward unknown territory. the planet x label is the brainchild of the icelandic techno artist exos where the harder side of techno is explored.

after a few month’s holiday, dublin’s pear are back with sunday pledge, the debut release by their co-founder fio fa.
a side hosts the title track: a slinky, hypnotic mpc house jam fit with that bumpin’ bassline, rising organs and enough nrg to conclude the week on a high.
i’d like to see ya do it on the flip is a nod to uk soundsystem culture, built perfectly for smog filled dancefloors with it’s garage swing and heaving bass line.

denver is a lo-fi piano journal made up of short, melodic pieces, dark and sullen in places, uplifting and bright in others. pieced together like an old photograph album covered in dust, filled with memories. with a nostalgic sound throughout, to the listener denver can sound familiar or recognisable but at the same time sound original, unheard and deeply personal.

mixtapes these days come a fraction of a penny a dozen and amid the inundation, a tiny ratio of these mixes truly deserves your precious time. the elusive british dj nommo hunzuu has pieced together one such essential collage for your ears with drinnen traum (translation: indoors dream). over an hour of painstaking aural weaving, nommo hunzuu lures you into his own distinctive aural universe that favors odd juxtapositions and immersive atmospheres laced with complementary film dialogue and gnomic declarations from culture icons like william s. burroughs and timothy leary.

planet battagon entführt uns in eine experimentelle welt aus frühem techno und space-bass-jazz.

"many electronic producers make music that sounds like the future. alavux is making the future and has carved himself a millennium head start. whilst many of his peers maintain a course along the kraftwerk or drexciyan trajectory alavux is committed to creating his own path; still drawing on the inspiration these great pioneers gave to so many, but choosing to adopt their pioneering spirit and innovation rather than their sound and track structures.
many a conversation has taken place about whether alavux is a maker of techno or electro. his discography tells you that he can pull off both very well and octagon shows you that both can be combined with explosive results. the sheer power and intensity of his grooves make each track a force to be reckoned with.
supported by dave clarke, billy nasty, igloo magazine, thomas h green (the arts desk), dj stingray umwelt and more."

fresh water is the debut work by london based musician and visual artist, jake marshall. across eight tracks marshall twirls and bends his sound palette around motifs of emergency and crisis, “i was interested in distress sounds, sirens, flares etc”. the many sonic limitations in fresh water demonstrate marshall’s uniqueness. all kinds of plastic, caustic sounds, german ambulance sirens, bleeps rattling off unknown morse code, the highly synthetic strings emerging from the silence, it creates a somehow organic yet inhumane, but addictive turbulence.

a new pacemaker! one floorburner on the a side by bryan fury and the b side contains great broken hardcore material by ladyscraper. absolutely great release!

during one long winter s night in a neon-lit paris, a restless young man wanders around to let himself be found by something that most people otherwise try to avoid: ghosts. and the night is full of unexpected encounters in this ultra-chic film, which is neither documentary nor fiction, but rather an adaptation of the idea that jacques derrida defines in a guest star appearance on the cinema screen: that film plus psychoanalysis is equal to the science of ghosts - ie. a form of spectrography , which the french artist smith in her self-ironic, self-conscious, science-fiction essay of a film, conjures up with thermal infrared and in the dialogue s mosaic of quotes of rambling french philosophy, from breton and barthes to merleau-ponty and derrida himself. hyper-modern and rich in (retro) references.

twelve minutes of blissful melody, hypnotic drums and quaking bass, in florian meyerãs fresh mix-up of west african polyrhythms with the sensibilities of classic us minimalism. jordan gcz from juju & jordash edges his remix into the outlands of free jazz, with pulsating bass drum and spiritual synths, like terrence dixon beaming down from saturn.

metal

rock

rock